The Baby Grand in Belgravia

This unique house tucked away in Belgravia was nicknamed The Baby Grand by none other than playwright, singer, and composer, Noel Coward.

The Baby Grand - Chesham Street (courtesy of Chestertons)
The Baby Grand – Chesham Street (courtesy of Chestertons)

A baby grand in both the sense of a baby grand house surrounded by its much larger Victorian stuccoed neighbours, as well as an affectionate name for a piano from a man noted for his wit and comedic song.

Joyce Carey
Joyce Carey

It was a short time ago, while working with Chestertons estate agents, that I was asked to research the former home of actress and great friend of Noel Coward’s, Joyce Carey. She was noted for a long acting career, but particularly remembered for her appearances in many of Coward’s films, including Brief Encounter (1945), In Which We Serve (1942), and Blithe Spirit (1945).

The house is situated along Chesham Street on the southern tip of Belgravia and was first laid out for new houses during the 1830s. Located on the Lowndes Estate, the name ‘Chesham’ originated from the home of the Lowndes family in Chesham, Buckinghamshire. However, this house, with an appearance distinctly unusual next to the tall early Victorian terraced houses, was built much later, during the 1920s.

The first residents were William and Beryl Riley-Smith, who moved into the house in 1922-23. Mr Riley-Smith later became High Sheriff of Yorkshire, but was particularly noted as an avid polo player. The couple lived in the house until 1925, the same year Beryl sat for a painting by the celebrated artist, Alfred Munnings, most known for his paintings of horses. In fact, the painting, which became known simply as ‘Beryl Riley-Smith riding Snowflake’, features Beryl riding side-saddle on the horse, Snowflake. The painting was sold at Christie’s in 2002 for £1.35 million.

Beryl Riley-Smith on Snowflake by Alfred Munnings, 1925
Beryl Riley-Smith on Snowflake by Alfred Munnings, 1925

Several years later, in 1954, after the turmoil of the Second World War, the actress, Joyce Carey moved into the house in Chesham Street.

Joyce Carey as Myrtle in Brief Encounter, 1945
Joyce Carey as Myrtle in Brief Encounter, 1945

Joyce Carey was born into an acting family, the daughter of actor, Gerald Lawrence, described as a ‘Matinee Idol’, and Lilian Braithwaite, successful star of stage and screen. With such parenting it was no surprise that Joyce followed in her parents footsteps and became an actress, first appearing on stage in 1916 at 18 years old.

Noel Coward
Noel Coward

Joyce Carey met Noel Coward in 1924, when her mother was starring in Coward’s play, The Vortex, and from that time they became firm friends. Joyce appeared in several of Coward’s plays and films, perhaps the most noted was her role as the manageress, Myrtle, in the film Brief Encounter with Celia Johnson and Trever Howard.

Joyce Carey became one of Noel Coward’s close friends and at the centre of Coward’s coterie, known as ‘the family’. After moving to ‘The Baby Grand’ in 1954, Joyce hosted many parties and gatherings with Noel Coward and their circle of friends. Joyce continued to live at No.12 Chesham Street until the late 1970s, while she continued to appear on stage and screen. She went on to appear in London Belongs to Me (1948) with Richard Attenborough and Alastair Sim and The End of The Affair (1955) with Deborah Kerr and John Mills. Her last stage appearance was alongside Peter O’Toole as Mrs Higgins in Pygmalion in 1984, but she was still acting at the age of 90 when she appeared in Michael Palin’s, No.27, in 1988.

Joyce Carey and Stanley Holloway in Brief Encounter, 1945
Joyce Carey and Stanley Holloway in Brief Encounter, 1945

Remembrance and Sir Edwin Lutyens in Mells

With Remembrance Sunday yesterday and Remembrance Day approaching on Wednesday, I am reminded of a project I completed a short time ago in Somerset. I was asked to research the historic and architectural significance of a row of 15th century cottages in the small village of Mells, but along side this, I was asked to research a number of links to the village with one of the countries greatest architects, Sir Edwin Lutyens.

New Street - Mells
New Street – Mells

Firstly, my research involved delving into the story of the medieval cottages in New Street, believed to have been built by John Selwood, Abbot of Glastonbury between 1456 and 1493. Today, they are recognised as the first example of what we know as town planning.

The history of Mells is also believed to have been the inspiration for the famous nursery rhyme ‘Little Jack Horner’! In 1543 the manor of Mells was acquired by Thomas Horner, but it is at this point that the old tale becomes mixed with the truth and apparently John ‘Jack’ Horner stole the deeds to the manor – from a pie! The deeds had supposedly been hidden in the pie and sent from the Abbot of Glastonbury to Henry VIII. This rumour led to the story that it was the inspiration for the nursery rhyme ‘Little Jack Horner’, who put in his thumb, and pulled out a plum. Although a good story, it is without foundation as the document recording the purchase of the manor by Thomas (not John) Horner is still retained in the manorial records of Mells.

However, along with the early history in Mells, my research also involved the historic links with Mells Manor during the early 20th century.

Mells Manor House and Church
Mells Manor House and Church

By the turn of the 20th century, Mells manor had passed to Sir John Francis Horner with his wife Lady Frances Horner. Prior to this, the family had been living in the Georgian ‘Mells Park House’ but in around 1900 Sir John and Lady Horner moved back to the old manor house and set about restoring it back into a family home. Lady Frances decided to engage her good friend Edwin Lutyens to undertake the alterations.

Sir Edwin Lutyens and Lady Horner
Sir Edwin Lutyens and Lady Horner

Lutyens added a Loggia with Tuscan columns and an outdoor sleeping area, as well as updating the interior of the 16th century manor house (where Charles I had stayed in 1644) with new bathrooms and kitchens, along with heating and electric light.

Amongst the surroundings of a newly updated manor house and the improvements to the gardens, Sir John and Lady Horner welcomed many family and friends to Mells at this time. Lady Horner was particularly known for her hospitality and with her connections to the artistic world, plus the family links to notable families of the age, Mells Manor is often highlighted as one of the country houses representing the golden Edwardian age before the horrors of the First World War. This is particularly poignant as Lady Francis Horner wrote of that time at Mells ‘…as if the sun always shone’, which contrasts sadly with the great loss they suffered in the First World War.

The designs of Sir Edwin Lutyens feature across Mells, and this is particularly noted in the war memorials in the parish church, St Andrews. In 1916, Lutyens completed a bronze wreath (with lettering by Eric Gill) to Raymond Asquith, eldest son of Prime Minister, Herbert Asquith (and husband to Katharine Horner, daughter of Sir John and Lady Horner) who died fighting in September 1916 at the beginning of the Somme offensive.

Memorial to Edward Horner, with base by Sir Edwin Lutyens
Memorial to Edward Horner, with base by Sir Edwin Lutyens (photo by Tom Oates)

Sadly, the following year Lutyens was asked to complete another memorial, this time to Edward Horner, son of Sir John and Lady Horner, who died during the Battle of Cambrai in 1917. Lutyens completed the base of the memorial, which was then topped with an equestrian statue of Edward Horner by Alfred Munnings. Significantly, the base by Lutyens much resembles his most famous war memorial, The Cenotaph in London, appearing as a miniature version of the world-famous landmark in Whitehall.

Lutyens completed a number of other projects in Mells, including a public shelter, in honour of Mark Horner, youngest son of Lord and Lady Horner, who died at the age of 16 in 1908, but given Lutyens’s reputation for war memorials, it is not a surprise to learn that he was also responsible for the Grade II* listed Mells village war memorial. It was completed in 1921 and features a tall column topped by a figure of St George slaying the dragon, surrounded by a curved wall with a yew hedge behind. On the central panel is an inscription to the lost of Mells:

“We died in a strange land facing the dark cloud of war and this stone is raised to us in the home of our delight”

The names of the fallen soldiers were then inscribed on panels to the side. Additional plaques were added in 1945 for those lost during the Second World War.

The contribution by Lutyens in Mells was significant, and in 1933 Lady Horner expressed her sentiment about him by saying: ‘Both in London and in the country he has beautified every house I had anything to do with, and the village of Mells owes a great deal to his skill.’

Mells War Memorial (photography by Tom Oates)
Mells War Memorial (photo by Tom Oates)